Why a collection of Women Photographers? Could this work?

The story of a collection created to fill a void. The aim is to give visibility to Italian photography, by proposing to wider public research that shows how it developed from the 60s' traditional reportage to contemporary conceptual experimentation. The focus becomes specific by concentrating on works by women photographers and artists.

Donata Pizzi holds a degree in Political Sciences from Università Degli Studi di Milano. She has worked as an archivist and picture editor for various magazines (L'Espresso, Art & Dossier, Scienza & Dossier, etc), as the head office for The Image Bank in Rome (now Getty Images), and later as a freelance photographer for international magazines.

 Agnese de Donato. Donne non si nasce, si diventa. 1970

Lisetta Carmi. I travestiti, 1965-1970